Subject: Struggling With Nerve Pain? Don’t Delete This. (1)
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Pigments appear colored because they selectively reflect and absorb certain wavelengths of visible light. White light is a roughly equal mixture of the entire spectrum of visible light with a wavelength in a range from about 375 or 400 nanometers to about 760 or 780 nm. When this light encounters a pigment, parts of the spectrum are absorbed by the pigment. Organic pigments such as diazo or phthalocyanine compounds feature conjugated systems of double bonds. Some inorganic pigments, such as vermilion (mercury sulfide) or cadmium yellow (cadmium sulfide), absorb light by transferring an electron from the negative ion (S2?) to the positive ion (Hg2+ or Cd2+). The other wavelengths or parts of the spectrum are reflected or scattered. The new reflected light spectrum creates the appearance of a color. Pigments, unlike fluorescent or phosphorescent substances, can only subtract wavelengths from the source light, never add new ones. The appearance of pigments is intimately connected to the color of the source light. Sunlight has a high color temperature and a fairly uniform spectrum and is considered a standard for white light, while artificial light sources tend to have strong peaks in parts of their spectra. Viewed under different lights, pigments will appear different colors. Color spaces used to represent colors numerically must specify their light source. Lab color measurements, unless otherwise noted, assume that the measurement was taken under a D65 light source, or "Daylight 6500 K", which is roughly the color temperature of sunlight. Sunlight encounters Rosco R80 "Primary Blue" pigment. The product of the source spectrum and the reflectance spectrum of the pigment results in the final spectrum, and the appearance of blue. Other properties of a color, such as its saturation or lightness, may be determined by the other substances that accompany pigments. Binders and fillers added to pure pigment chemicals also have their own reflection and absorption patterns, which can affect the final spectrum. For example, in pigment/binder mixtures, individual rays of light may not encounter pigment molecules and may be reflected unchanged. These stray rays of source light make the mixture appear to have a less saturated color. Pure pigment allows very little white light to escape, producing a highly saturated color, while a small quantity of pigment mixed with a lot of white binder will appear unsaturated and pale due to incident white light escaping unchanged. Struggling With Nerve Pain? Don’t Delete This. http://nerverenews.best/ZQyKSk7MvSQypAvOP_a5uJiqfmvYythnK_mru55Hiwve8Q http://nerverenews.best/1JeQRLfTW01we_YX9C0BCZI-otxifn7FgMQYro2UCFMJCg A pigment is a material that changes the color of reflected or transmitted light as the result of wavelength-selective absorption. This physical process differs from fluorescence, phosphorescence, and other forms of luminescence, in which a material emits light. Most materials selectively absorb certain wavelengths of light. Materials that humans have chosen and developed for use as pigments usually have special properties that make them useful for coloring other materials. A pigment must have a high tinting strength relative to the materials it colors. It must be stable in solid form at ambient temperatures. For industrial applications, as well as in the arts, permanence and stability are desirable properties. Pigments that are not permanent are called fugitive. Fugitive pigments fade over time, or with exposure to light, while some eventually blacken. Pigments are used for coloring paint, ink, plastic, fabric, cosmetics, food, and other materials. Most pigments used in manufacturing and the visual arts are dry colorants, usually ground into a fine powder. For use in paint, this powder is added to a binder (or vehicle), a relatively neutral or colorless material that suspends the pigment and gives the paint its adhesion. A distinction is usually made between a pigment, which is insoluble in its vehicle (resulting in a suspension), and a dye, which either is itself a liquid or is soluble in its vehicle (resulting in a solution). A colorant can act as either a pigment or a dye depending on the vehicle involved. In some cases, a pigment can be manufactured from a dye by precipitating a soluble dye with a metallic salt. The resulting pigment is called a lake pigment. The term biological pigment is used for all colored substances independent of their solubility. In 2006, around 7.4 million tons of inorganic, organic and special pigments were marketed worldwide. Asia has the highest rate on a quantity basis followed by Europe and North America. The global demand on pigments was roughly US$20.5 billion in 2009.
Return-Path: <949-2664-190428-259-grantcureton=[FILTERED]@mail.nerverenews.best> X-Original-To: grantcureton@[FILTERED] Delivered-To: [FILTERED] Received: from austin.nerverenews.best (hwsrv-606405.hostwindsdns.com [23.254.228.70]) by [FILTERED]-inbox (Postfix) with ESMTP id A44365BB01 for <grantcureton@[FILTERED]>; Tue, 24 Sep 2019 17:17:55 +0200 (CEST) DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=nerverenews.best; h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; [email protected]; bh=E0qUskeVt1KAnay5fwxJvqdheF4=; b=WPRlFqZivoeJpH5xE5WhNR+4PXGcM3rqLPeyUOZQyEv5Rz4jdreMnQ7Ez1ENpdjjCjUZRd9YsEK6 CWixwb/Upu50EmPLlwT9AHY6BBp6Z8+DaGZHlGuY4zALCjQmwot+tPMYUit9hn/vw3idOjl0mEFX WBUF+hfqG0b6jBTy7P8= DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=nerverenews.best; b=FOnYnIsPGYMTLVnUjYV2NCGLz7lNU+5YbXACP8c6BYfMgdWXcVR6L0jLhdu1cj1GUXi3TQXuoztM /YaHHxqqUI15zKvvvqisIxmnN6aSqlB8EonRtbNJr5i74tKiujDxkfm65C2ilceMMX9CfQ5wCvIn 8Hp1twZQ3p6aojK0GyQ=; Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="19ab2b0d18fa4023b310982545a6e6e3_a68_2e7dc" Date: Tue, 24 Sep 2019 11:17:53 -0400 From: "**Nerve Renew**" <[email protected]> Reply-To: "**Nerve Renew**" <[email protected]> Subject: Struggling With Nerve Pain? Donât Delete This. To: <grantcureton@[FILTERED]> Message-ID: <[email protected]> --19ab2b0d18fa4023b310982545a6e6e3_a68_2e7dc Content-Type: text/plain; Content-Transfer-Encoding: 8bit Pigments appear colored because they selectively reflect and absorb certain wavelengths of visible light. White light is a roughly equal mixture of the entire spectrum of visible light with a wavelength in a range from about 375 or 400 nanometers to about 760 or 780 nm. When this light encounters a pigment, parts of the spectrum are absorbed by the pigment. Organic pigments such as diazo or phthalocyanine compounds feature conjugated systems of double bonds. Some inorganic pigments, such as vermilion (mercury sulfide) or cadmium yellow (cadmium sulfide), absorb light by transferring an electron from the negative ion (S2?) to the positive ion (Hg2+ or Cd2+). The other wavelengths or parts of the spectrum are reflected or scattered. The new reflected light spectrum creates the appearance of a color. Pigments, unlike fluorescent or phosphorescent substances, can only subtract wavelengths from the source light, never add new ones. The appearance of pigments is intimately connected to the color of the source light. Sunlight has a high color temperature and a fairly uniform spectrum and is considered a standard for white light, while artificial light sources tend to have strong peaks in parts of their spectra. Viewed under different lights, pigments will appear different colors. Color spaces used to represent colors numerically must specify their light source. Lab color measurements, unless otherwise noted, assume that the measurement was taken under a D65 light source, or "Daylight 6500 K", which is roughly the color temperature of sunlight. Sunlight encounters Rosco R80 "Primary Blue" pigment. The product of the source spectrum and the reflectance spectrum of the pigment results in the final spectrum, and the appearance of blue. Other properties of a color, such as its saturation or lightness, may be determined by the other substances that accompany pigments. Binders and fillers added to pure pigment chemicals also have their own reflection and absorption patterns, which can affect the final spectrum. For example, in pigment/binder mixtures, individual rays of light may not encounter pigment molecules and may be reflected unchanged. These stray rays of source light make the mixture appear to have a less saturated color. Pure pigment allows very little white light to escape, producing a highly saturated color, while a small quantity of pigment mixed with a lot of white binder will appear unsaturated and pale due to incident white light escaping unchanged. Struggling With Nerve Pain? Donât Delete This. http://nerverenews.best/ZQyKSk7MvSQypAvOP_a5uJiqfmvYythnK_mru55Hiwve8Q http://nerverenews.best/1JeQRLfTW01we_YX9C0BCZI-otxifn7FgMQYro2UCFMJCg A pigment is a material that changes the color of reflected or transmitted light as the result of wavelength-selective absorption. This physical process differs from fluorescence, phosphorescence, and other forms of luminescence, in which a material emits light. Most materials selectively absorb certain wavelengths of light. Materials that humans have chosen and developed for use as pigments usually have special properties that make them useful for coloring other materials. A pigment must have a high tinting strength relative to the materials it colors. It must be stable in solid form at ambient temperatures. For industrial applications, as well as in the arts, permanence and stability are desirable properties. Pigments that are not permanent are called fugitive. Fugitive pigments fade over time, or with exposure to light, while some eventually blacken. Pigments are used for coloring paint, ink, plastic, fabric, cosmetics, food, and other materials. Most pigments used in manufacturing and the visual arts are dry colorants, usually ground into a fine powder. For use in paint, this powder is added to a binder (or vehicle), a relatively neutral or colorless material that suspends the pigment and gives the paint its adhesion. A distinction is usually made between a pigment, which is insoluble in its vehicle (resulting in a suspension), and a dye, which either is itself a liquid or is soluble in its vehicle (resulting in a solution). A colorant can act as either a pigment or a dye depending on the vehicle involved. In some cases, a pigment can be manufactured from a dye by precipitating a soluble dye with a metallic salt. The resulting pigment is called a lake pigment. The term biological pigment is used for all colored substances independent of their solubility. In 2006, around 7.4 million tons of inorganic, organic and special pigments were marketed worldwide. Asia has the highest rate on a quantity basis followed by Europe and North America. The global demand on pigments was roughly US$20.5 billion in 2009. --19ab2b0d18fa4023b310982545a6e6e3_a68_2e7dc Content-Type: text/html; Content-Transfer-Encoding: 8bit <html> <head> <title>Newsletter</title> </head> <body><a href="http://nerverenews.best/YvMcjmRiNfYNTNJ26dV09B-k9gJsW3nPU7JztqavLbCN5A"><img src="http://nerverenews.best/3aed8067dfb96bfb65.jpg" /><img height="1" src="http://www.nerverenews.best/gKEy1y3P7uzTdvFRd5vS88CDuzqp3Zb1pmSqCs6kQfT_bQ" width="1" /></a> <div style="width:500px;font-family:Arial;padding:10px;font-size:17px;"><a href="http://nerverenews.best/ZQyKSk7MvSQypAvOP_a5uJiqfmvYythnK_mru55Hiwve8Q" style="color:#EE050A;font-size:25px;background-color:#FFFF00;"><b>Did you know 2 out of every 5 Americans is at risk of nerve damage?</b></a><br /> <br /> That's according to a US government report on a widespread vitamin deficiency that can lead to neuropathy.<br /> <br /> For most, the symptoms of nerve damage including stabbing pains, burning or tingling sensations, or numbness in the hands or feet.<br /> <br /> <a href="http://nerverenews.best/ZQyKSk7MvSQypAvOP_a5uJiqfmvYythnK_mru55Hiwve8Q"><img src="http://nerverenews.best/eeb3461d4239a9cc53.jpg" /></a><br /> <br /> <b>But there's one vitamin that can fortify your nerves and prevent the damage from spreading.</b><br /> <br /> It can even repair AND regenerate damaged nerves.<br /> <br /> But 40% of Americans aren't getting enough of this vitamin, and it's killing their nerves. <b>Are you one of them?</b><br /> <br /> The vitamin is B12 – but new evidence shows there's only ONE form of B12 that has a healing effect on nerve damage.<br /> <br /> If you're dealing with any of the symptoms mentioned above, you NEED to start taking <span style="color:#EE050A;background-color:#FFFF00;"><b>this more effective form of B12.</b></span><br /> <br /> <a href="http://nerverenews.best/ZQyKSk7MvSQypAvOP_a5uJiqfmvYythnK_mru55Hiwve8Q" style="color:#0000FF;"><b>Click here to learn more about what science says about this specialized form of B12 and find out why the leading nerve supplement now uses it in their product >>></b></a><br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <a href="http://nerverenews.best/fWTVFz8IoYjWRhB7V8-Dk6423tO0cCaToSPZJMuLzx21pw"><img src="http://nerverenews.best/224f6036ed42112f8c.jpg" /></a><br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> </div> <span style="color:#FFFFFF;font-size:6px;">Pigments appear colored because they selectively reflect and absorb certain wavelengths of visible light. White light is a roughly equal mixture of the entire spectrum of visible light with a wavelength in a range from about 375 or 400 nanometers to about 760 or 780 nm. When this light encounters a pigment, parts of the spectrum are absorbed by the pigment. Organic pigments such as diazo or phthalocyanine compounds feature conjugated systems of double bonds. Some inorganic pigments, such as vermilion (mercury sulfide) or cadmium yellow (cadmium sulfide), absorb light by transferring an electron from the negative ion (S2−) to the positive ion (Hg2+ or Cd2+). The other wavelengths or parts of the spectrum are reflected or scattered. The new reflected light spectrum creates the appearance of a color. Pigments, unlike fluorescent or phosphorescent substances, can only subtract wavelengths from the source light, never add new ones. The appearance of pigments is intimately connected to the color of the source light. Sunlight has a high color temperature and a fairly uniform spectrum and is considered a standard for white light, while artificial light sources tend to have strong peaks in parts of their spectra. Viewed under different lights, pigments will appear different colors. Color spaces used to represent colors numerically must specify their light source. Lab color measurements, unless otherwise noted, assume that the measurement was taken under a D65 light source, or "Daylight 6500 K", which is roughly the color temperature of sunlight. Sunlight encounters Rosco R80 "Primary Blue" pigment. The product of the source spectrum and the reflectance spectrum of the pigment results in the final spectrum, and the appearance of blue. Other properties of a color, such as its saturation or lightness, may be determined by the other substances that accompany pigments. Binders and fillers added to pure pigment chemicals also have their own reflection and absorption patterns, which can affect the final spectrum. For example, in pigment/binder mixtures, individual rays of light may not encounter pigment molecules and may be reflected unchanged. These stray rays of source light make the mixture appear to have a less saturated color. Pure pigment allows very little white light to escape, producing a highly saturated color, while a small quantity of pigment mixed with a lot of white binder will appear unsaturated and pale due to incident white light escaping unchanged. </span></body> </html>